Showing posts with label salt. Show all posts
Showing posts with label salt. Show all posts

Sunday, 21 October 2018

the sea: cloud (an epilogue)



Cloud, from old english Clud [mass of rock or earth] 

Cloud Seed #1

Dirt from the construction site where buildings are beginning to be formed lifts up and moves into the atmosphere. Once a part of the earth's crust now set loose into the air: a potential staging ground for the condensation of water vapor; seeds for the formation of a cloud. 

No more permanent that anything else. Everything is a momentary apparition. Oh, but beauty. My eyes open each morning, and some mornings are full, like a song that makes me sing along. I am here. I am here. And it will not be forever. Thankfully. Because there is too much to see, and nothing would be worth trying to remember if my eyes will open every morning like a hose spraying infinite nows. Nothing is worth feeling if it can be felt anytime, always.

Cloud seed #2

A man who spent half of his Saturday afternoon kicking a can down the promenade comes home and shakes his jacket before hanging it on the coat rack.  Small crystals of salt, deposited on his jacket from the spray of the sea are set loose, moving out of the open window and into the atmosphere.  The salt crystals mix with the dust from the construction site, more water vapor condenses, freezes and the cloud is growing.

And looking at The Sea. Looking at the sea. From up here. And now we are here. The dinner is ready and we cannot eat. The meat sits in the white lake of its dish. The wine waits.[1]

 “Who watched the forms of the clouds over this part of the earth a thousand years ago? Who watches them today?[2]We will watch and we will try to hold on, but surely they will change. We will cry tears falling up into the sky cuss spittle flying under the clouds' haunted arches we will roll in the meadow inhaling the mist while stains form on our trousers whelm of joy mixed with dread we will lay on our backs looking up listening to the sound of the blades of grass flittering in the wind and remember nothing is worth feeling if it can be felt anytime, always.

Cloud Seed #3

Sitting at the bar at dusk, watching the dusty antiques on the wall lose their definition with the fading of the light; a mass was forming before the drunkards eyes. Looking down at his drink, trying to avoid the scene, he suddenly felt an absence forming behind him. He fell of his stool, bumped off a table and a couple of chairs before he stumbled out the door.  It was damp outside; it was as if the clouds were sleeping in the street. Trying to make out the shadowy forms through the misty veil before his eyes, he picked a point and staggered towards it. After walking for some time, bumping off of various landmarks-changing his course with each bump, he could feel his body gaining weight from the droplets of water collecting on his skin and clothing, after some time he was swimming in the cloud and after some time he was becoming it. 

What is in any [Sea] ocean but a multitude of drops? [3] An awesome body of matter all tangled up more incapable of seeming an object than land, but then theres air, The Sea as the entropic middle. And this, viewed from a distance, the edge of the universe perhaps, looks like Brownian motion, all of it bouncing around and against itself, changing course, the collection of these glancing blows becoming lives. Matter drifting in the system with the illusion of acting. But one cannot bounce off of belief - and vicious acts, or virtuous acts, are precipitated by belief. But without invoking some grand narrative in which to protect our fragility, why cant small joy be joy? We can drift, and appreciate the view, and seek to collect these views into a remembered joy, always more possibility in the future, until there is no more future. Smiling into the face of a finite existence of little lasting result, manufacturing small meanings that add up, a joy in having participated instead of being frozen in the want of gifted meaning.  

Cloud Seed #4

Down below a couple is sleeping side-by-side covers up to their chins.  Clouds are forming in front of their mouths with the rise and fall of their chests.  Quietly, while they dream their bodies are regenerating tissues.  They wake up in the morning look in the mirror, see themselves the same face, look at each other say good morning seeing nothing as changed, maybe only the date on the calendar, but everything has changed. Everything. Clouds.  Each morning we wake up and meet our self ... meet the world. Our mostly-water bodies, our loose collection of matter, regenerating always. Clouds. We are all potential fossils still carrying within our bodies the crudities of former existences, the marks of the world in which living creatures flow with little more consistency than clouds from age to age.[4] But only the crud, none of the actual stuff. And still our hearts hurt when they are broken. Still we collect something. Small, tiny in fact, but ours (us).

An object is like a pattern of movement instead of a solid separate thing that exists autonomously. [5] Look through the microscope and pick your favorite, follow it closely, like a star, like drift wood, like a maybe-face in a cloud. Organization used to be understood as order. Databases, cordoned off, categorized. But clouds. Leaving those things we collect where they lay, and giving them keywords, signs, so that we might search for them later, the algorithm, the duplicitous web (put it in the cloud), cloud computing, more reliable, and more appropriate to our shifting understanding of relationships; time going by, entropic ephemeral re-structuring. Us to the world, us to nature, coffee to the morning, the world to the world.

As for astronomy, the difficulty of recognizing the movement of the earth consisted in renouncing the immediate feeling of the immobility of the earth and the similar feeling of the movement of the planets, so for history the difficulty of recognizing the subjection of the person to the laws of space, time, and causes consists in renouncing the immediate feeling of the independence of ones person. In the first case, the need was to renounce the consciousness of a nonexistent immobility in space and recognize a movement we do not feel; in the present case, it is just as necessary to renounce a nonexistent freedom and recognize a dependence we do not feel.[6]

Clouds are like momentary apparitions; their possibility is in the air always, like mist settling down in the cool evening before burning off in new sun. A cloud looks like an object, but isnt it really just the way air looks when the atmosphere conspires to make it so? I am a cloud.


[1] Strand, Mark. Reasons For Moving, Darker & The Sargentville Notebook, New York: Alfred A. Knopf, 2006, p. 75
[2] Thoreau, Henry David. Autumn From the Journal of Henry David Thoreau. Boston: Houghton, Mifflin &Co., 1892, p. 429
[3] Mitchell, David. Cloud Atlas, New York: Random House, 2004. p. 509
[4] Eisley, Loren. The Immense Journey, New York: Vintage, 1959.
[5] Bohm, David. On Creativity. London: Routledge, 1998.
[6] Tolstoy, Leo. War and Peace. New York: Alfred A. Knopf, 2007, p. 1214

This epilogue text is by Stephen Fiehn & Tyler Myers / Cupola Bobber.

Wednesday, 29 June 2016

shuttle 13: salt

Scientific research suggests that people's sense of taste is diminished significantly by certain conditions present inside aircraft cabins: notably, the lower humidity levels, adjusted air pressure, and particular frequencies of ambient white noise. So, for example, a drier mouth and throat have the effect of decelerating the communication of odors to the brain's receptors, and thereby stripping food of much of its flavor. Therefore, in order to enable in-flight food to taste roughly the same as on the ground, airline caterers compensate by supplementing their food with about 30% additional salt.

For the Danish artist Signe Emma, a gifted graphic design graduate from Kingston University near London, this information triggered a research project of her own, Airline Food, which resulted in a series of large scale scanning electron micrographs of dissolved salt. 

Astonishingly, these images resemble exquisite, crystalline landscapes as if viewed from the window of an aircraft at great height.

For Signe Emma's website, with further details of her 'Airline Food' series, see here

Tuesday, 28 June 2016

shuttle 12: sweat

liquid self (portrait), Zingaro, Sicilia, 11 September 2006
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Lone Twin: 'A story about sweat'
Said while rain dancing and out of breath in front of an audience at SceneKunst Theatre Festival, Aarhus, Denmark. Slightly planned, but mainly made up:

This is a story about sweat, sweating and perspiration. What do you call them? Ecologists? They tell us all water is constantly in a cycle, it’s either on the earth, or being evaporated, moving up into the sky going into the clouds and raining back down again. Water in a cycle. And sometimes we wonder if we’ve seen water before. If maybe some of the rain we saw on the way here tonight we might have seen before, maybe we’ve watched that rain already on the television. It was raining when they took down the Berlin wall, when the hammers went in and we wonder if some of that rain that we watched on the news in England could be this rain out here tonight. Maybe this rain out here has some of the water in it that was once frozen and helped to sink the Titanic in the form of a mighty iceberg. Maybe the rain out there is quite sinister and dangerous and has a very interesting and ludicrous past. Now, we want to extend that idea to personal sweat, we’re here sweating and maybe some of you here are also sweating? Some of our sweat might be some of your sweat. Or maybe some of our sweat was Winston Churchill’s sweat, or maybe Florence Nightingale’s sweat, or maybe some of Bruce Springsteen’s sweat, which is personally at the moment my favourite sweat. Or maybe – I don’t know – the Queen of Norway’s sweat. I don’t know if they have a queen there I’m slightly off-track. But we’re interested tonight in some of our sweat becoming some of your sweat, and that it might enter into some of that rain that also might contain some of our sweat.


Lone Twin: 'Dart action'

Wearing a tracksuit and a sports hat: run from the Yew Tree in Dartington Hall’s graveyard, Devon, England, through the Dartington Hall Estate and into Totnes. Follow signs for Bridgetown and find the left bank of the River Dart. Run the full length of the river path. At the path’s end continue into the Dart until about knee deep. Take off your sports hat and with your hands on your knees wait for sweat to drip into the river. 
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Texts from Lone Twin's The Days of The Sledge Hammer Have Gone series, from of pigs and lovers: a lone twin research companion, 2001. Photos: (top) David Williams; (middle two) Gary Winters/Lone Twin; (bottom) Hergé - Tintin, Snowy & Captain Haddock work up a sweat in the desert