Showing posts with label air. Show all posts
Showing posts with label air. Show all posts

Sunday, 21 October 2018

the sea: wave 6


Lulled by the Sea’s roll and curl, its breath synced with mine, I return to my dream of floating far from land, the boat long gone, just me and the Sea and the sky. A me-shaped hole in the vastness of the Sea, two turbulences enmeshed with each other in a nameless place on no known map. The tight breath and anxious splash and oh-my-God of my earlier corkscrewing desire to stand up and out of the water and see where I am, to orient myself, are now released. Soft. My thoughts are fluid, nomadic, provisional: they flutter and drift and unravel in a waking that is brushed by wet sleep, carried on the currents of association, very small, very quiet, a slow swarm, the little by little suddenly. I have the impression the Sea can somehow hear my thoughts.

In the Mandaean sect in the region of the Iran-Iraq border, newly ordained priests marry a cloud, a stand-in for a wife in the other world. The Mandaeans’ holy scriptures tell the story of Dinanukht, half-man, half-book, who sits by the waters between the worlds and reads himself … (1)

Movement and transformation. The resilient persistence of matter, its survival, its memory - and yet the bottom line is that the only constant is mobility, change. It’s all circuits and flows in the mortality of forms, and the unpredictable migrations of their constituent parts. There are the remains of sea creatures in deserts and on mountain tops. Shells on Everest. And a tiny bead of sweat on a forehead might contain something of the exhaled vapour of another person or creature from long ago and far away. A glass of water here now is informed by the past. Perhaps it holds molecules evaporated from a glacier, a tree, tears, mist, snow, fog, ice, a cough, the gurgle of a new-born child ‘trailing clouds of glory’ or someone’s final sigh. Maybe even molecules from Archimedes’ bath water. Countless micro-moments of time, from yesterday or centuries ago on the other side of this blue ball, potentially co-existing in the same small container. The glass itself was once sand. It’s almost promiscuous, this co-mingling, and there’s joy in that thought.

I was born by the river in a little tent
Oh and just like the river I’ve been running ever since
It’s been a long, a long time coming
But I know a change gonna come, oh yes it will (2)

Researchers estimate that 12 million tons of Sahara dust drops out of the air onto the Brazilian rainforests of the Amazon basin every year. Great plume-like vortices of aeolian sand that rise from the desert and drift west, only the finest phosphate-rich particles making it across to South America. Shamans too ride on whirlwinds; the way out of the world, or into another world, is through the vortex … (3)

If we could only let go of our compulsion to dress transience in mourning, and instead confer value on impermanence and change, might we not inherit the earth? Why not lament (briefly) the very notion of permanence and move on? ‘God’, ‘Truth’, ‘Progress’ - looks to me like these are all cover stories, formative human delusions. Funny stories to tell ourselves, aren’t they – funny peculiar if not funny ha-ha. Let their heart-break go. Why not? It would be an act of kindness. Of realistic optimism. And an occasion for invention. We’ve been pointing in the wrong direction. Let’s use the fact of transience for our fictions. That’s the way to turn a death story into a life story. If you want to be remembered, give yourself away. La la laaaa la laaaa lalalaaaa, oh yes it will.

The words of Meister Eckhardt: ‘the humble man is he who is watered with grace’ …

Beginnings and endings, all endings in reality new beginnings. Hourglasses eternally emptying out and being turned over again and again. At first the Earth was a smouldering sphere condensed from interstellar gas, its atmosphere a toxic soup of hot vapour. For maybe half a billion years. Then eventually as the Earth began to cool it rained for maybe 12,000 years, and the Sea came into being ... As we fade and die, us humans, the hot-house internal fever of our living bodies begins to cool from its regular 98.6 degrees Farhenheit, and eventually we become food, then soil, then … The spilling of seeds …

In the past, when people died at home, a lighted match was applied to the big toe. The toe would blister whether the person was dead or still alive; but if they were dead, the blister would fill with gas and burst.

After he died, Alexander the Great was shipped back from Babylon in a vat of honey. Nelson came back to England from Trafalgar in a keg of rum. A temporary suspension, of matter and time.

There’s an invisible haze in the air and in the water – the water in that glass, this Sea, that sky-mountain cloud, in all water – a haze of stuff too small for these eyes to see: the dust of anything and everything, the ghostly traces of what is carried in the wind and the rain and the rivers and here, right here in the Sea. Dancing sediment. Ejecta. Dejecta. Rejecta. A kind of soil, life’s compost. Trace elements of Newton’s apple. Or of Darwin’s busy worms, their castings the source of his consolation and inspiration in his final years of life: blind machines for making soil (aren’t we all?); digestion as restoration, the life destruction makes possible. (‘Never say higher or lower’, Darwin once wrote in the margins of a book).  We regularly inhale air-borne fragments of vehicle tires. Possibly dinosaurs. Dodos. Certainly powdered insects’ wings. Powdered people. Debris dispersed and afloat and en route to who knows where. How to read and map and re-member these atomised histories, and our place in their foldings and unfoldings and becomings.  ‘Galloping horses of the departed century, I will consult ashes, stars, and flights of birds’. (4)

‘Air routinely carries intimate fragments of rug, dung, carcasses, leaves and leaf hairs, coral, coal, skin, sweat, soap, silt, pollen, algae, bacteria, spores, soot, ammonia, and spit, as well as salt crystals from ocean white-caps, dust scraped off distant mountains, micro bits of cooled magma from volcanoes and charred micro-fragments from tropical forest fires. These sorts of things can add up. At dusk the particles meet rising water vapour, stick together, and fall: that is when they will bury you. Soil bacteria eat what they can, and the rest of it stays put if there’s no wind. After thirty years, there is a new inch of topsoil … We live on dead people’s heads […] Time: you can’t chock the wheels. We sprout, ripen, fall, and roll under the turf again at a stroke: Surely, the people is grass […]’. (5)

A thousand years ago, in silent-order Benedictine monasteries, monks communicated through hand signals. If you wanted honey, you put your finger on your tongue. If you needed a candle, you blew on your index finger … Where are those breaths now?

It was said of Confucius, and there was no higher praise: He knows where the wind comes from. It was said of Lao-Tzu that he spent 81 years in the womb before being born …

Everything is still, everything moves. Floating here, treading water, pulled down by my body’s weight, buoyed up by a cushion of liquid. Up-down, gravity and lightness. The im/possible dance. Everything that is dances this dance. The structure of a day. Organic life cycles. Weather systems. Social histories. Religions. Civilisations. Mushroom cloud. Smoke from a cigarette. A glance. A memory, bursting to the surface like the fin of a fish, then gone. Every breath is in itself a wave, a weather system, a life cycle of rising up and falling away. The inhalation can be a falling away, the exhalation an effortless rising up. Body weather. The wind in my heart – the dust in my head. Internal oceans, deserts, fronts, cloud formations, floods, droughts, turbulences, seasonal lows and highs. A synoptic chart of the soul, written in and on the body. Upside down, inside out.

The wind in the trees, the oxygenated ocean of air in which we swim or sink; an economy of exchange, inside and outside touching and blurring, like lovers. The tree-like structures of the lungs, of blood vessel and nervous systems, of river deltas and tributaries, of lightning strikes, synaptic connectivities and divisions. The arc of a thought. Like lovers.

Resemblances, analogies, metaphors: ‘like’ does not collapse difference and create the same, for the in-between is unstable, potential, the coexistence of near and far, like and not-like, identity and difference. The Sea is like the sky, the desert like the Sea, only … different. Like is a gap. Everything happens in the gap. Mind the gap, you could fall into it.

It is said that when the philosopher Empedocles (the originator of the concept of the four elements: fire, air, water, earth) dived into the spurting liquid magma of Mt. Etna’s crater, his own ‘Eureka!’ moment at the age of 60 or was it 109, the volcano promptly spat out one of his bronze shoes …

Falling down. Falling sick. Sinking. Coming up for air.  Climbing back up. Standing up. Settling down. Falling in love. Free falling. Rising into love. Defying gravity. Gravity rises, lightness falls.

‘We don’t fall in rows like hay, but we fall. Once we get here, we spend forever on the globe, most of it tucked under. While we breathe, we open time like a path in the grass. We open time as a boat’s stem slits the crest of the present’. (6)

Oh there been times that I thought I couldn’t last for long
But now I think I’m able to carry on …

Treading water. Leaving no trace. A little dance written on the wind.

Did you know that camels, the great anomalously-shaped, grace-ful ‘ships of the desert’, the two-humped Bactrian model like mobile model mountain ranges, leave oh so delicate lotus pad-prints in the sand for the wind to wipe away? (7)

Everything is still, everything moves. Sea. Sand. Sky. Air. Pulse. Breath.

It’s been a long, a long time coming
But I know a change gonna come, oh yes it will …


(1) Eliot Weinberger, ‘Mandaeans’, An Elemental Thing, New York: New Directions, pp. 100, 103.
(2) Sam Cooke, A Change is Gonna Come, 1964.
(3) Eliot Weinberger, ‘The Vortex’, An Elemental Thing, op. cit., 2007, p. 126.
(4) Czeslaw Milosz, ‘The Unveiling’ (from The Rising of the Sun), in Collected Poems: 1931-1987, London: Penguin, 1988, pp. 124, 153.
(5) Annie Dillard, For the Time Being, New York: Vintage Books, 1999, pp. 124, 153.
(6) Annie Dillard, For the Time Being, op. cit., p. 203.
(7) Eliot Weinberger, ‘The Sahara’, An Elemental Thing, op. cit., p. 186.

the sea: cloud (an epilogue)



Cloud, from old english Clud [mass of rock or earth] 

Cloud Seed #1

Dirt from the construction site where buildings are beginning to be formed lifts up and moves into the atmosphere. Once a part of the earth's crust now set loose into the air: a potential staging ground for the condensation of water vapor; seeds for the formation of a cloud. 

No more permanent that anything else. Everything is a momentary apparition. Oh, but beauty. My eyes open each morning, and some mornings are full, like a song that makes me sing along. I am here. I am here. And it will not be forever. Thankfully. Because there is too much to see, and nothing would be worth trying to remember if my eyes will open every morning like a hose spraying infinite nows. Nothing is worth feeling if it can be felt anytime, always.

Cloud seed #2

A man who spent half of his Saturday afternoon kicking a can down the promenade comes home and shakes his jacket before hanging it on the coat rack.  Small crystals of salt, deposited on his jacket from the spray of the sea are set loose, moving out of the open window and into the atmosphere.  The salt crystals mix with the dust from the construction site, more water vapor condenses, freezes and the cloud is growing.

And looking at The Sea. Looking at the sea. From up here. And now we are here. The dinner is ready and we cannot eat. The meat sits in the white lake of its dish. The wine waits.[1]

 “Who watched the forms of the clouds over this part of the earth a thousand years ago? Who watches them today?[2]We will watch and we will try to hold on, but surely they will change. We will cry tears falling up into the sky cuss spittle flying under the clouds' haunted arches we will roll in the meadow inhaling the mist while stains form on our trousers whelm of joy mixed with dread we will lay on our backs looking up listening to the sound of the blades of grass flittering in the wind and remember nothing is worth feeling if it can be felt anytime, always.

Cloud Seed #3

Sitting at the bar at dusk, watching the dusty antiques on the wall lose their definition with the fading of the light; a mass was forming before the drunkards eyes. Looking down at his drink, trying to avoid the scene, he suddenly felt an absence forming behind him. He fell of his stool, bumped off a table and a couple of chairs before he stumbled out the door.  It was damp outside; it was as if the clouds were sleeping in the street. Trying to make out the shadowy forms through the misty veil before his eyes, he picked a point and staggered towards it. After walking for some time, bumping off of various landmarks-changing his course with each bump, he could feel his body gaining weight from the droplets of water collecting on his skin and clothing, after some time he was swimming in the cloud and after some time he was becoming it. 

What is in any [Sea] ocean but a multitude of drops? [3] An awesome body of matter all tangled up more incapable of seeming an object than land, but then theres air, The Sea as the entropic middle. And this, viewed from a distance, the edge of the universe perhaps, looks like Brownian motion, all of it bouncing around and against itself, changing course, the collection of these glancing blows becoming lives. Matter drifting in the system with the illusion of acting. But one cannot bounce off of belief - and vicious acts, or virtuous acts, are precipitated by belief. But without invoking some grand narrative in which to protect our fragility, why cant small joy be joy? We can drift, and appreciate the view, and seek to collect these views into a remembered joy, always more possibility in the future, until there is no more future. Smiling into the face of a finite existence of little lasting result, manufacturing small meanings that add up, a joy in having participated instead of being frozen in the want of gifted meaning.  

Cloud Seed #4

Down below a couple is sleeping side-by-side covers up to their chins.  Clouds are forming in front of their mouths with the rise and fall of their chests.  Quietly, while they dream their bodies are regenerating tissues.  They wake up in the morning look in the mirror, see themselves the same face, look at each other say good morning seeing nothing as changed, maybe only the date on the calendar, but everything has changed. Everything. Clouds.  Each morning we wake up and meet our self ... meet the world. Our mostly-water bodies, our loose collection of matter, regenerating always. Clouds. We are all potential fossils still carrying within our bodies the crudities of former existences, the marks of the world in which living creatures flow with little more consistency than clouds from age to age.[4] But only the crud, none of the actual stuff. And still our hearts hurt when they are broken. Still we collect something. Small, tiny in fact, but ours (us).

An object is like a pattern of movement instead of a solid separate thing that exists autonomously. [5] Look through the microscope and pick your favorite, follow it closely, like a star, like drift wood, like a maybe-face in a cloud. Organization used to be understood as order. Databases, cordoned off, categorized. But clouds. Leaving those things we collect where they lay, and giving them keywords, signs, so that we might search for them later, the algorithm, the duplicitous web (put it in the cloud), cloud computing, more reliable, and more appropriate to our shifting understanding of relationships; time going by, entropic ephemeral re-structuring. Us to the world, us to nature, coffee to the morning, the world to the world.

As for astronomy, the difficulty of recognizing the movement of the earth consisted in renouncing the immediate feeling of the immobility of the earth and the similar feeling of the movement of the planets, so for history the difficulty of recognizing the subjection of the person to the laws of space, time, and causes consists in renouncing the immediate feeling of the independence of ones person. In the first case, the need was to renounce the consciousness of a nonexistent immobility in space and recognize a movement we do not feel; in the present case, it is just as necessary to renounce a nonexistent freedom and recognize a dependence we do not feel.[6]

Clouds are like momentary apparitions; their possibility is in the air always, like mist settling down in the cool evening before burning off in new sun. A cloud looks like an object, but isnt it really just the way air looks when the atmosphere conspires to make it so? I am a cloud.


[1] Strand, Mark. Reasons For Moving, Darker & The Sargentville Notebook, New York: Alfred A. Knopf, 2006, p. 75
[2] Thoreau, Henry David. Autumn From the Journal of Henry David Thoreau. Boston: Houghton, Mifflin &Co., 1892, p. 429
[3] Mitchell, David. Cloud Atlas, New York: Random House, 2004. p. 509
[4] Eisley, Loren. The Immense Journey, New York: Vintage, 1959.
[5] Bohm, David. On Creativity. London: Routledge, 1998.
[6] Tolstoy, Leo. War and Peace. New York: Alfred A. Knopf, 2007, p. 1214

This epilogue text is by Stephen Fiehn & Tyler Myers / Cupola Bobber.

Wednesday, 29 June 2016

shuttle 13: salt

Scientific research suggests that people's sense of taste is diminished significantly by certain conditions present inside aircraft cabins: notably, the lower humidity levels, adjusted air pressure, and particular frequencies of ambient white noise. So, for example, a drier mouth and throat have the effect of decelerating the communication of odors to the brain's receptors, and thereby stripping food of much of its flavor. Therefore, in order to enable in-flight food to taste roughly the same as on the ground, airline caterers compensate by supplementing their food with about 30% additional salt.

For the Danish artist Signe Emma, a gifted graphic design graduate from Kingston University near London, this information triggered a research project of her own, Airline Food, which resulted in a series of large scale scanning electron micrographs of dissolved salt. 

Astonishingly, these images resemble exquisite, crystalline landscapes as if viewed from the window of an aircraft at great height.

For Signe Emma's website, with further details of her 'Airline Food' series, see here

Monday, 20 June 2016

shuttle 4: dusting

'[Dust] is not about rubbish ... It is not about Waste. Indeed, Dust is the opposite thing to Waste, or at least, the opposite principle to Waste. It is about circularity, the impossibility of things disappearing, or going away, or being gone. Nothing can be destroyed. The fundamental lessons of physiology, of cell-theory, and of neurology are all to do with this ceaseless making and unmaking, the movement and transmutation of one thing into another. Nothing goes away' 

(Carolyn Steedman, Dust: The Archive and Cultural History, New Brunswick NJ: Rutgers University Press, 2002, 164). 
______________________

'Dust is particulate matter, the dispersed, disordered raw material from which everything ordered and coherent arises, and it is to dust that the complex decays.

From the beginning to the end, dust underlies all existence. It is the species of light one sees flickering in a sunbeam, the molecules of gas dashing randomly in all directions. It is the atoms and molecules of matter that can be recombined and reshaped into something new such as the ordered array of atoms in  crystal or in a living cell, and it is the dusts of interstellar space that condensed to produce the sun and its planets and all the galaxies.

Everything that we understand as consistent, the living creature, the machine, the tree, are dust in its coherent phase, part of its continuous evolutionary cycle from order to disorder, from growth to decay repeated in seemingly endless variations ...

Most dust particles have crystalline interiors, but the microcrystal in one speck of dust cannot coordinate its order with that of another grain, and the dust remains chaotic. Yet it is from these dusts that the complexities of our civilisation are built. Dust on one level is chaotic, and orderly and precise on another.

As the universe evolves it creates new dusts for its various eras ... The dusts of our era, though but a transitory formation in an evolving universe, will persist for many trillions of years. Its great miracle, life, is a cycle of ordered dust that strives to perpetuate itself. The great by-product of life, intelligence, is also like dust, with bits and fragments of coherence being produced out of disorder, but all too often lapses back into chaos again'.

(Agnes Denes, extract from The Book of Dust: The Beginning and the End of Time and Thereafter, Rochester NY: Visual Studies Workshop, 1989: quoted in Graham Gusin & Ele Carpenter (eds), Nothing, London: August, 2001, 84-6).
 ______________________

‘Quick: why aren't you dusting? On every continent, we sweep floors and wipe tabletops not only to shine the place, but to forestall burial.

It is interesting, the debris in the air. A surprising portion of it is spider legs, and bits thereof. Spider legs are flimsy … because they are hollow. They lack muscles; compressed air moves them. Consequently, the snap off easily, and go blowing about.  Another unexpected source of aerial detritus is tires. Eroding tires shed latex shreds at a brisk clip, say the folk who train their microscopes on air. Farm dust joins sulfuric acid droplets (from burned fossil fuels) and sand from the Sahara Desert to produce the summer haze that blurs and dims valleys and coasts.

We inhale “many hundreds of particles in each breath we take” … Air routinely carries intimate fragments of rug, dung, carcasses, leaves and leaf hairs, coral, coal, skin, sweat, soap, silt, pollen, algae, bacteria, spores, soot, ammonia, and spit, as well as “salt crystals from ocean white-caps, dust scraped off distant mountains, micro bits of cooled magma blown from volcanoes and charred micro-fragments from tropical forest fires”. These sorts of things can add up.

At dusk, the particles meet rising water vapor, stick together, and fall; that is when they will bury you. Soil bacteria eat what they can, and the rest of it stays put if there’s no wind. After thirty years, there is a new inch of topsoil ...

We live on dead people's heads’

(Annie Dillard, For The Time Being, New York: Vintage, 1999, 123-4).
______________________

Photo at top (Professor Larry Taylor): lunar dust, including volcanic glass beads and agglutinate, viewed under a microscope.

P.S. Some years ago, an artist friend in England (who shall remain nameless here) told me that he had been invited to set a piece of moon rock in a ring; the owner had worked at NASA, I think. One evening at home, in a moment of alcohol-induced lunacy, he decided to crush the rock fragment, roll it in a spliff, and smoke it. Disappointingly, it seems it didn't help him achieve 'escape velocity'. The following morning, he found a piece of rock of similar size and colour on a local building site and used that for the commissioned ring.